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Historical Archive: Angels, eleventh and twelfth centuries lead token of St. Symeon Stylites the Younger, 10th-11th c. Syria, SMBByz 32/73, which has its own page St. Michael and dragon, citation seal of the chapter of Veszprém cathedral, cast bronze, 11th-c. Hungary, HNM 1890.127.10 Dormition of the Virgin, ivory, 11th c., Hermitage Tablet reliquary, 11th c. Byzantine with Mosan frame and cover c.1160-70, silver gilt and enamel on copper gilt, Louvre OA 8099. This work has its own page. Byzantine Last Judgment ivory, 11th c., V&A A.24-1926. This work has its own page with seraphim. Annunciation ivory, c.1000, SMBByz 567. For detail see Berlin. coronation of SS. Gereon and Victor, ivory c.1000, on Schn B98, which has its own page with details Basel antependium, gold and gems on wood, early 11th c., Cluny Cl. 2350. This work has its own page. Michael: gold altar frontal, early 11th c., Aachen cathedral. The altar and cathedral have their own pages. Ascension ivory, early 11th c., prob. Lotharingia or Liége, Schn B2 Byzantine Ascension ivory, 1st half of 11th c., V&A 152-1879 reliquary, sides bone, top ivory, c.1000-1050, Schn B159. For other views see Schn. Expulsion: Bernward Doors, bronze, Hildesheim 1007-15. This work has its own page with more angels. Book cover, gold/ivory/gems/enamel, metalwork c.1020, AachenCT. The cover has its own page. Bernward sarcophagus 1022, crypt St. Michael's, Hildesheim, which has its own pages with many angels Archangel Michael and other angels: Gertrudis Altar, c.1045, CMA 1931.462. This object has its own page. Crucifixion/Genesis ivory, c.1050-75, SMBByz 589, which has its own page with reverse Genesis/Crucifixion ivory, c.1050-75, SMBByz 589, which has its own page with reverse Last Judgment, tempera, Nicholas and Johannes 1061-71, Vat 40526, which has its own page ivory with Genesis scenes, Spain, late 11th or 9th/early 10th c., Hermitage Ф-2, which has its own page with another angel Crucifixion, bronze, Ireland late 11th-early 12th c., BM 1983.7-1.1 Archangel Michael: Byzantine triptych, late 11th-early 12th c., on Stavelot Triptych, Morgan AZ001, which has its own page with Archangel Gabriel. Ascension (lower part), steatite, DO 1951.26 top: Virgin and Child, encolpion cross, non-ferrous metal, 12th c., Novgorod AM deposition, ivory, 12th c. north Italy, inscription prob. 14th c., HildMus DS11. For other views see HildMus. Nativity ivory, Venice?, 12th/13th c., on reliquary icon, Louvre OA 11399. This work has its own page. Cluny Lectionary: Ascension of Christ, Burgundy (Cluny) c.1100, Cluny Cl.23757. For additional views see Ascension. Annunciation ivory, early 12th c., SMBByz 2787 Angel? Head from Cluny, limestone, c.1125, UCh 1977.2. This work has its own page. St. Michael and dragon from chapel of Michael, Notre-Dame de Nevers, limestone, c.1125-50, Louvre R.F.1427 west portal, San Pietro in Ciel d'Oro, Pavia: consecrated 1132. This work has its own page. cherub: Lisbjerg Altar frontal/retable/arch c.1135-50, gilded copper, NMD D287. This work has its own page with other angels. Chartres cathedral, mostly 1140s-1270, which has its own pages with angels in every part Abraham and Isaac capital from Notre-Dame-de-la-Couldre, Parthenay, limestone, mid 12th c., Louvre R.F. 1848. For other face see Louvre. Last Judgment, enamel and gilt on copper, Winchester c.1150-60, V&A M.209-1925 Stavelot altar, gilt bronze with enamel and rock crystal, c.1150-60, MRAH 1590. This work has its own page. ivory cross, c.1150-60, Cloisters 63.12, which has its own page. ivory crozier head, c.1150-70, V&A 218-1865. For other views see V&A. Gunhild cross, walrus ivory, c.1150-75, NMD 9087, which has its own page Novgorod cathedral doors, bronze, prob. 1152-54. The doors have their own page with more angels. vision of Constantine: Stavelot Triptych, Mosan, c.1156-58, Morgan AZ001, which has its own page. Nerezi Lamentation/ hymnographers, 1164, which has its own page cross from Scheldewindeke, rock crystal and enamel, Mosan c.1170-1200, MRAH 3669. This work has its own page. Baptism, Pisa Cathedral doors, bronze, Bonannus of Pisa c.1180. This work has its own page. Thomas Becket reliquary, Limoges c.1180-90, V&A M.66-1997. This work has its own page. capitals, stucco Beatitudes and saints, 1186, St. Michael's, Hildesheim, which has its own pages marble roadside cross, Arezzo area late 12th-early 13th c., Arezzo MS. For oblique view see Arezzo Museums. St Albans cathedral pier painting c.1190-1220, poss. Walter of Colchester; St Albans has its own pages.