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Genevra Kornbluth.
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Last updated
February 7, 2024

Historical Archive: Passion of Christ

Not including events that have their own pages, for which see the Christian iconography index
In chronological order of objects, works with individual scenes follow those with multiple ones.


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Passion sarcophagus, marble, c.350 CE, Vat 31525. This work has its own page.
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Soldiers falling before Christ and disciples; Betrayal, Arrest, Peter striking Malchus; Christ before Pilate; "school of Charles the Bald" c.870, Louvre OA 9526
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Basilewsky Situla, ivory, 980-81, V&A A.18-1933. This work has its own page.
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multiple Passion scenes, ivory panel, c.1000?, Louvre OA 6000
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multiple Passion scenes, Stavelot altar, c.1150-60, MRAH 1590. This work has its own page.
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multiple Passion scenes: Typology/Good Samaritan window, c.1207-15, Sens cathedral. The cathedral has its own interior page.
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Betrayal, Mocking, Scourging: Giovanni Pisano pulpit 1302-10, which has its own page, in Pisa cathedral
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Passion: Kloster Wienhausen nuns' choir, painted c.1335, which has its own page
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Passion/Resurrection: Kloster Wienhausen nuns' choir, painted c.1335, which has its own page
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Passion of Christ, France c.1350-1400, ivory, loan to UMMA from Met 1917,17.190.200. For additional views see UMMA.
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Scenes from the Passion, fr. Krappe family chapel, church St. Elizabeth Wrocław, painted limewood, Wrocław c.1492, MNW Śr. 109. This work has its own page.
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Denial of Peter (with Haemorrhoissa), 2 blind men: columnar sarcophagus, marble, late 4th c., Leiden Pb 35. For this work see Leiden.
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Peter's Denial and Repentance, and Arrest of Christ, ivory, 5th c. Italy (Ravenna?), Louvre OA 3860
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miraculous fishing on Lake Tiberias (John 21), ceramic ampulla, 6th c., ANAM
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Mocking: gold altar frontal, early 11th c., Aachen cathedral. The altar and cathedral have their own pages.
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Christ or Peter in prison? right: Novgorod cathedral doors, bronze, prob. 1152-54. The doors have their own page.
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Blindfolding and Mocking: Passion diptych, Paris, 1st half of 14th c., MAAB. This object has its own page.
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Christ appears to Apostles on Mountain of Galilee: Dečani monastery frescoes, 1335-47, which have their own pages
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denial of Peter: Baptistery, cathedral of Padua, 1376 paintings: Giusto de' Menabuoi. This work has its own pages.
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Appearence of the Resurrected Christ, Ethiopian Gospels, late 14th-early 15th c., Met 1998.66, which has its own page.
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mocking: Man of Sorrows w. instruments Passion, Niccolo di Pietro Gerini c.1405-06, tempera/panel fr Santissima Annunziata, Florence: Arezzo MS
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Ecce Homo: Winterfeld Diptych: Virgin and Child, Man of Sorrows with Holy Lance and instruments of the Passion, Ecce Homo, tempera on oak, from church of Notre Dame in Gdansk, Gdansk c.1430, MNW Śr. 206
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Mocking: Meerbeck carver, Passion c.1525-30, North Paradise, Cathedral, Hildesheim, which has its own pages
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related: Vernicle (veil of Veronica), 15th c., copper alloy, MoL 88.9/18. See also St. Veronica at Perugia.
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related: Mandylion, Cross fr. Red Field Monastery, wood, c.1500-50, which has its own page
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related: Mandylion over entry, Simon Ushakov, late 17th c., Moscow Annunciation Cathedral, which has its own page