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Genevra Kornbluth.
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Last updated
December 12, 2020

Historical Archive: Saint Thomas the Apostle
Incredulity of Thomas, Doubting Thomas


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sarcophagus fragment with the Crossing of the Red Sea, Lazarus, and Doubting Thomas from the monastery of St. Angela Merici, Church of St. Afra, 'African onyx' marble, mid 4th c., Brescia Museum of Santa Giulia MR5852
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sarcophagus fragment from the monastery of St. Angela Merici, Church of St. Afra, 'African onyx' marble, mid 4th c., Brescia Museum of Santa Giulia MR5852
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sarcophagus fragment: Doubting Thomas, from the monastery of St. Angela Merici, Church of St. Afra, 'African onyx' marble, mid 4th c., Brescia Museum of Santa Giulia MR5852
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sarcophagus fragment: Doubting Thomas from the monastery of St. Angela Merici, Church of St. Afra, 'African onyx' marble, mid 4th c., Brescia Museum of Santa Giulia MR5852
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Ravenna, Orthodox baptistery, c.451-73. This work has its own pages.
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Basilewsky Situla, ivory, 980-81, V&A A.18-1933. This work has its own page.
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Doubting Thomas, ivory, late 10th c., SMBByz 8505/8506, which has its own page with companion panel
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Reliquary icon: frame silver gilt on wood, Constantinople 11th/12th c.; Nativity ivory, Venice?, 12th/13th c.; conversion to reliquary with horn 14th/15th-c. Germany. Louvre OA 11399. This work has its own page.
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death of St. Thomas: Stavelot altar, gilt bronze with enamel and rock crystal, c.1150-60, MRAH 1590. This work has its own page.
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Doubting Thomas, Byzantine steatite, late 12th-early 13th c., MNW SZM 7055
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Doubting Thomas, Byzantine steatite, late 12th-early 13th c., MNW SZM 7055
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Arca di Sant' Agostino, 1362-aft. 1409, San Pietro in Ciel d'Oro, Pavia. This work has its own page.
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*Thomas, Man of Sorrows, James the Less, Philip, 1434-37, Sion, Valère basilica, which has its own interior page with another view
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François I as St Thomas the Apostle, enamel on copper from Feuillantines convent (Paris), repeating Chartres composition: Léonard Limosin (attrib.), mid 16th c. Limoges, Louvre MR XIII suppl 211
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François I as St Thomas the Apostle, enamel on copper from Feuillantines convent (Paris), repeating Chartres composition: Léonard Limosin (attrib.), mid 16th c. Limoges, Louvre MR XIII suppl 211
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Crucifixion with Doubting Thomas and Evangelists: standing cross, boxwood with pearls and glass, Greece c.1650-1800, UMMA 1961/1.177. This work has its own page.